10 Movies for Fashion
Lovers
Love great costumes
as much as a good story line in your movies? Me too! While
Hollywood has always been known for creating trend stampedes in
fashion, there are some movies that just stand out for their
beautiful, fabulous clothes.
Some of my
favorites include:
To Catch a
Thief (1955)
Cary
Grant, Grace Kelly
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Reformed cat burglar John Robie (Grant)
romances spoiled heiress Frances Stevens
(Kelly) in Monte Carlo while trying to
figure out who is framing him for a recent
rash of jewel thefts in the area. Director
Alfred Hitchcock got Edith Head to do the
costumes for this movie, as he did for most
of his films, with good reason: they're
gorgeous (she was nominated for a Best
Costume Design Oscar for this film, but
didn't win).
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Grace Kelly and Cary
Grant
in To Catch a
Thief
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Sabrina (1954)
Humphrey Bogart, Audrey Hepburn, William
Holden
The chauffeur's daughter, Sabrina
(Hepburn), is madly in love with the boss's
playboy son, David (Holden), but she can't
catch his eye to save her soul. Her father
sends her to culinary school in Paris,
hoping she'll forget about him, but she
returns chic and sophisticated and David
instantly falls for her. The problem? He's
engaged to another woman, as part of a huge
business deal. To keep the transaction from
falling through, David's older brother,
Linus (Bogart) pretends to woo Sabrina for
himself - and unexpectedly falls in love
with her.
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Audrey Hepburn and
William Holden in
Sabrina
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Edith Head took
home her sixth Oscar in as many years for her work on this
Billy Wilder-directed classic, and the shoulder-tied style of
top she created for this film, called, appropriately enough,
Sabrina, created a stampede to the stores. But it proved to be
a bittersweet victory for Edith. For even though she got the
film credit, several of the movie's key pieces - including the
beautiful strapless ball gown Sabrina wears after her return
from Paris - were actually designed by Hubert de Givenchy,
Audrey's favorite designer.
Funny
Face (1957)
Fred
Astaire, Audrey Hepburn
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The ultimate fashion fantasy, this tale,
based on real-life cameraman Richard
Avedon, follows a photographer (Astaire)
who discovers a new talent named Jo
(Hepburn) in a bookstore and convinces the
fashion establishment to turn her into a
model. She's whisked off to Paris and gets
to wear lots of fabulous clothes, and soon
she's fighting her feelings for the
photographer who discovered her in this
May-December romance.
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Audrey Hepburn in
Funny Face
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Dancing, singing,
and a to-die-for wardrobe make this one of the most popular
"fashion flicks" of all time. Edith Head and Hubert de Givenchy
again teamed to create Audrey's amazing wardrobe, earning an
Oscar nod but unfortunately, no statue that
year.
Breakfast At
Tiffany's (1961)
Audrey
Hepburn, George Peppard
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Beautiful clothes and Audrey Hepburn go
together like peanut butter and jelly
because Audrey had the exact body type most
fashion designers love to design for: long,
thin, and practically no curves so there's
nothing to interfere with the garment
silhouette.
In the movie that established the "little
black dress" as a fashion must, Hepburn
plays a flighty, chic bohemian named Holly
Golightly, who lives off the gifts of men,
owns little furniture, wears designer
clothes, and sometimes eats her breakfast
on the sidewalk outside of Tiffany's. She
befriends her upstairs neighbor (Peppard),
a writer who is also a "boy toy" for a rich
older woman (Patricia Neal), and when their
friendship turns to romance, it threatens
both of their lifestyles.
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Audrey Hepburn in
Breakfast at
Tiffany's
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Directed by Blake
Edwards based on a novella by Truman Capote, and scored by
Henry Mancini with costumes by Edith Head, Hubert de Givenchy,
and Pauline Trigère, this film can't help but look, sound, and
feel fabulous. A "must see" for any true fashion
lover.
Rear
Window (1954)
Jimmy
Stewart, Grace Kelly
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When photographer L.B. "Jeff" Jeffries
(Stewart) is sidelined by a bad accident,
he spends his recovery time staring out the
rear window of his apartment, watching the
comings and goings of his neighbors. Before
long, he's convinced that he's seen the man
across the courtyard kill his wife, and he
enlists the help of his girlfriend Lisa
(Kelly) and his nurse (Thelma Ritter) to
investigate the matter. It's a simple story
line that becomes bone-chilling in the
hands of director Alfred Hitchcock, yet
beautiful to watch as Edith Head dresses
Kelly to the nines.
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Grace Kelly
in Rear Window
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Bonnie &
Clyde (1967)
Warren
Beatty, Faye Dunaway
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Clyde Barrow (Beatty) rescues Bonnie Parker
(Dunaway) from a dull life in
Depression-era Missouri, and together they
rob banks and make headlines. While the
movie became controversial for setting a
new level of violence in film, Theodora Van
Runkle's costumes set off a stampede to the
stores, offering a complete change from the
mod looks that dominated the 1960's. She
was nominated for an Oscar for her work,
but did not win.
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Faye Dunaway
in Bonnie and
Clyde
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American
Gigolo (1980)
Richard
Gere, Lauren Hutton
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Julian Kaye (Gere) is a high-priced
prostitute serving the bored, rich women of
Beverly Hills. He putters around in his
Mercedes and contemplates which Armani
shirt goes with which tie, showing more
emotion for his clothing than for the women
with whom he interacts. But that all
changes when he meets a Senator's wife,
named Michelle (Hutton), and starts to fall
in love with her. When Julian is later
framed for a murder he didn't commit,
Michelle comes to his rescue, and Julian is
forced to come to grips with the seedy life
he's built for himself.
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Richard Gere in
American Gigolo
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While this movie
isn't as classic as some of the others on the list, it was the
movie that finally sparked a return to elegant men's wear
following the tumultuous 60's and 70's. It also put Giorgio
Armani on the American fashion radar, establishing him as THE
designer to turn to for comfortable, good-looking
suits.
By the way, this
was the first of three movies Richard Gere starred in after
John Travolta passed on the role; the other two were "An
Officer and A Gentleman" (1982) and "Chicago"
(2002).
The Seven
Year Itch (1955)
Marilyn
Monroe, Tom Ewell
Richard Sherman
(Ewell) has just sent his wife and son out of the city to enjoy
a cooler summer elsewhere when the new upstairs sub-letter
(Monroe) introduces herself and heats thing right back up.
Richard, a sort of everyman, spends the rest of the time
fantasizing about the beautiful model upstairs who keeps
inviting herself over to partake of the food, drink, and
air-conditioning.
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Directed by Billy Wilder, this is the film
where Marilyn stands over the subway grate
in her white halter dress and gets hit with
a blast of cold air. But that dress is just
one of the many treat outfits Marilyn dons
for this film. William Travilla, who
designed many of Marilyn's costumes during
her short career, did all her outfits for
"Itch" as well, including the white halter
dress, which was NOT, according to legend,
bought off the rack. It was done
specifically for Marilyn, which is why it
looked so great.
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Marilyn Monroe in
The Seven Year
Itch
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Gone With The
Wind (1939)
Clark
Gable, Vivien Leigh
Scarlett O'Hara
(Leigh) is a spoiled Southern Belle who sets her sights on her
neighbor, Ashley Wilkes, on the eve of the Civil War. But when
Ashley tells her he's already engaged to his cousin, Melanie,
Scarlett throws a temper tantrum and marries Melanie's brother
Charles instead. Charles dies of the flu during the war and
Scarlett spends the rest of the movie pining for Ashley while
still marrying her sister's beau, Frank, and finally the
dashing Rhett Butler (Gable). When Melanie dies and Ashley is
finally free to marry Scarlett, she decides she really doesn't
want Ashley after all, she wants Rhett instead. But Rhett has
had enough and leaves, reducing Scarlett to tears before she
can pull herself together again and set her mind on winning him
back.
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One of my personal favorites, "Gone With
The Wind" captured scores of Oscars,
including Best Picture, back in 1939. Had
Oscars been awarded for Best Costume then
(the category didn't exist until 1948)
designer Walter Plunkett would surely have
taken top honors that night. Besides
dressing Scarlett for 39 costume changes in
such memorable ensembles as the barbecue
gown, the green drapery dress and the
off-the-shoulder "repentance" red dress she
wore to Ashley's party, Plunkett also
costumed hundreds of extras for the Wilkes'
barbecue, the Atlanta Bazaar, the soldiers
at the depot, etc. His attention to detail
was staggering, right down to the crinoline
petticoats. If you like sumptuous
costuming, you'll love "Gone With The
Wind."
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Vivien Leigh in
Gone With The Wind
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Chicago
(2002)
Renee
Zellweger, Richard Gere, Catherine Zeta-Jones
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Roxie Hart (Zellweger) wants to be famous
and will do just about anything to achieve
her goals, including murder. When she's
locked up for her crime, she and fellow
murderess Velma Kelly (Zeta-Jones) turn to
slick lawyer Billy Flynn (Gere) to get them
off. In the process, they both become
famous, which they put to good use both
before and after judgment day in a series
of fast-paced, toe-tapping musical numbers.
If you like great music, clever cuts, and
over-the-top costumes, you'll understand
why Colleen Atwood walked away with the
Oscar for Best Costume design for this
movie. While most of the clothes are a bit
skimpy to have been worn in the 1920's,
they do a great job of evoking the jazz
age.
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Renee Zellweger and
Catherine Zeta-Jones
in Chicago
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So there you have
it:
Ten of my top picks
for best "fashion flicks." If you haven't seen some of them or
haven't seen them in a while, make some room in your weekend to
do so. They'll make you wish everyone wore such great clothes
everyday!
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| Diana Pemberton-Sikes is a
wardrobe and image consultant and author of
"Wardrobe Magic," an ebook
that shows women how to transform their unruly
closets into workable, wearable wardrobes. Visit
her online at
www.fashionforrealwomen.com
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